By the way, the E-MU B-3 module is a fantastic module.one of my fave B-3 emulations. When you hit a high note, it really screams and you feel like you're in the same room with an organ! Yes a fully concur, the EMU B3 has this screaming top octave missing in most/all clones bar the HX3.(still have to play a MOJO but not a single vid online. E-MU sound set has been meticulously crafted to be the finest of its kind. Samples are matched across the keyboard, perfectly looped, and rich in harmonic texture. Hi, i just got a second hand EMU B-3 hammond module. It sounds quite nice, but i am not very good with midi things, and for the life of me i can't find out how to switch between slow and fast rotating speaker. Keyboard to learn piano/keyboard on, and I think Transfer patches from the bank into the editor with manual or auto save. E-MU Proteus 1 Vintage Sound Module with Manual MINT CONDITION! $ Emu Proteus 9030. Or E-MU Proteus 1 Vintage Sound Module with Manual MINT CONDITION! $98.00, Buy It. This module is designed to deliver the classic sound of the B-3 Tonewheel Organ in a programmable rack module. It does this via 32MB of sampled B-3 sounds. It's been about 13 years since E-mu released the first Proteus, a single-rackspace sample-playback module that featured a highly effective collection of sounds and an intuitive user interface. Since then, E-mu has introduced many successors to the original, typically offering more or bigger specialized sound sets and a few new features. The most recent model, the Proteus 2500, represents a quantum leap forward in the Proteus lineup. The module occupies a whopping four rackspaces and is adorned with plenty of knobs, buttons, and LED indicators. It has 128 notes of polyphony, a built-in sequencer, multiple arpeggiators, and extensive real-time control capabilities. The Proteus 2500 can play 32 different timbres simultaneously, though the single MIDI In port limits you to half that number when you're using an external controller or sequencer. The 512 factory presets take good advantage of the 32 MB sample set. There's also storage for 512 user presets and ample expansion capability for new sounds. FACE THE FRONT The Proteus 2500's front panel contains 16 real-time controller knobs, 48 buttons, a 2 × 24 — character LCD, and a 4digit LED display (see Fig. When I first saw the unit, I was concerned that such skimpy displays would be inadequate on a device of such complexity. My fears were unfounded, however; most of the buttons have built-in LEDs, and extra status indicators are scattered all over the front. The E-mu engineers did an excellent job of providing appropriate visual feedback for all operations. The controls are grouped logically, and many of them have several functions. The 16 controller knobs, for example, might control the mix of your sequencer tracks, or they might provide quick access to common synth-programming parameters. Similarly, 16 buttons are arranged into two rows on the unit's bottom-right. Those buttons serve many purposes: they can mute tracks, give you quick access to a menu page, trigger sounds, and assist with step recording. The 4-digit LED display can show sequencer tempo, the number of the Pattern in use, the current bar:beat position, or sequencer tracks and channels. A Select button lets you choose what you're viewing, and an Edit button lets you change it. Beneath the LED display are a set of transport controls for the sequencer and a Tap button that allows you to easily set the tempo. Cursor controls and a large data wheel let you freely change the parameters you're viewing, and a convenient Enter key flashes when it needs to be pressed. In addition, plenty of dedicated buttons access specific Proteus functions and menus. Also on the front panel are a headphone jack, a master-level control, indicators for MIDI In and Out activity, and a power switch (which offers a handy delay feature to keep you from switching it off in the middle of a performance). Altogether, the Proteus 2500's front panel is well designed and intuitive to use. AROUND BACK On the rear panel are six unbalanced analog outputs on ¼-inch connectors for the main stereo signal and two stereo auxiliary sends (see Fig. A coaxial S/PDIF connector carries the main stereo signal in digital audio form; if you prefer, you can configure that connector as an AES/EBU output. The Proteus 2500 has one MIDI In and two MIDI Out ports. Two ¼-inch jacks accept either normally open or normally closed footswitches. Also on the rear panel are a standard IEC power connector (no wall wart!) and a USB port for connection to a host computer. Repair cracks in marble sink. You can use the USB connection with the included E-Loader application (Mac/Win) to manage Patterns and Songs stored on the Proteus (see Fig. Data transfer works in both directions; you can back up the module's music onto your computer, or you can download sequences (in Standard MIDI File format) to the Proteus. If your computer doesn't have a USB port, ELoader can use MIDI ports instead (but the transfer of data will be much slower). Some operations — such as upgrading the Proteus 2500 operating system — require the use of MIDI ports. The presence of a USB port is encouraging, but unfortunately, the implementation doesn't go quite far enough. I wanted the ability to have a USB-connected Proteus 2500 show up as an available MIDI device on my computer, just as my USB-connected MIDI interface does. Instead, I had to use up limited MIDI connections and run multiple cables to the Proteus. PLAYING AROUND The Proteus 2500 has a nice scheme for locating and playing sounds. Adobe creative suite 4 download. An individual sound is called a Preset, and you can scroll through Presets by number. ![]() By repositioning the cursor in the LCD display, you can also scroll to different MIDI channels, banks, or Preset Groups (a Preset Group represents a category of instruments, such as horns or keyboards). Move the cursor to the Preset name to scroll through the Presets within a Group. As soon as I figured out the scheme, I could get to any type of sound within seconds. Proteus Presets are organized as four factory-programmed banks in ROM and four user banks in RAM; the RAM and ROM banks are identical when you first take the unit out of the box. Emu B3 Sound Module Manual Transfer CaseIf you install additional sounds using Expansion ROMs, those Presets will appear in new Preset banks. A good collection of instruments is included, and all of the bases are covered to some degree. An abundance of percussion instruments and scads of electric and acoustic bass Presets supplement a nice set of synthesizer sounds. If you're into urban or techno music, you'll find plenty to work with. The collection of acoustic-instrument emulations is much less extensive. I had some difficulty finding string sounds that suited my music, and I wasn't at all impressed with the quality of the grand pianos. Fortunately, some of those deficiencies can be addressed with Proteus Expansion ROMs. I checked E-mu's Web site and found several available, with sounds ranging from orchestral instruments to analog synthesizers; one even contains William Coakley's Perfect Piano. The Proteus 2500 has three expansion slots, and the built-in sounds occupy a fourth slot. According to Emu, nothing prevents you from replacing the built-in sounds with a fourth expansion module. In total, you can load up the Proteus 2500 with 128 MB of sounds. PATTERN RECOGNITION The Proteus 2500 has a powerful sequencer that's capable of pattern-based and linear sequencing. You can record in real time or step time, or use grid-mode recording. Grid mode, which is available only when recording Patterns, is similar to the drum machines of days gone. Each Pattern can have as many as 16 tracks and can be as many as 32 bars long. You can record multichannel sequences into each track. Most sequence-editing features deal with track data; they don't necessarily let you restrict your edits to specific MIDI channels, though you can edit individual events. A variety of tools are available to perform the basic editing operations you'd expect in any modern sequencer. You can edit individual notes and alter many events at the same time. You can quantize, thin, transpose, erase, and insert. If you want nice graphical tools for editing, though, you'll want to use your computer's sequencer instead.
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